Joseph, Moses, Solomon & Sheba

The assertion that there are no ancient Egyptian Hieroglyphic texts that make mention of the Hebrew Patriarchs Joseph, Moses, and Solomon and the Queen of Sheba is incorrect. There are unmistakable Hieroglyphic texts. The Nation of Khumry, who are misnamed as the "Welsh", are reliably traced back in time and distance as the "lost" Ten Tribes of Israel. Their deportation from Israel to Armenia around 720 - 700 BC was followed by their march west through Asia Minor to the Dardanelles. Half the Nation went to found Etruria around 650 BC, and the remainder sailed for Britain in c 504 BC. This means that before they arrived in Canaan to found Israel, they were in Egypt. A strange Khumric Triad notation of around 100 years ago indicates the Egyptian connection and specifically refers to the Hieroglyphic writings. The clear inference is that Khumric is the basic language of the Hieroglyphics. Professor Sir John Morris Jones wrote a Thesis in 1898 that demonstrated the identically of the complex Khumric Syntax and that of Ancient Egypt. Plus the fact that the same seven vowels - A E I O U W Y - were used in Ancient Egypt and the Khumry. Other 19th Century scholars including Bunsen were alert to this ancient Language connection. As there are well known huge chronological mismatches scattered all through the Histories of the ancient Nations of the Near East and the Mediterranean, and considerable confusions in the Ancient History of Egypt, it appears logical that there must be something wrong with the Historical Data. As there are thousands of Egyptian Hieroglyphic texts, there should be no problem with the order and chronology of the History, if these texts are read correctly. The fact that there is confusion indicates that the Texts have not been properly read and automatically this means that the present accepted method of reading the Ancient Egyptian History is used as the yardstick to establish the dates and full chronology of all the other Ancient Nations. Wars, royal intermarriages, treaties of alliance and trade agreements, and so on, are all "dated" by reference directly or indirectly to Ancient Egypt. As the present accepted order and grotesquely distorted. Historical gaps, and dark ages, of five, six , and even eight hundred centuries litter the scenario, and every investigator who has dared to step into this arena has pointed the finger directly at Egyptian chronology. Basic analysis shows that the concept that the Hieroglyphs were written in Coptic is not correct, and the "system" of decipherment mainly involves guesswork and speculation using a strange cocktail mix of Coptic, Hamatic, and Hebrew. The indications are that J F Champollion claimed much more than he actually achieved. If the Texts are not deciphered and read correctly then the information in the Texts is not correctly understood. It is a simple task to test the possibility that the ancient Language of the Khumry in Britain that can be traced back through Etruria, the Aegean, Asia Minor, and Assyria, to old Israel, is the basic language of the Ancient Egyptian Hieroglyphics. As a number of scholars have attempted to raise the issue of the chaos existing in the chronology of Ancient Egyptian History, and in 1990 Peter James and four other academic archaeologists published "Centuries of Darkness" and pointed out the historical mismatches, and later David Rohl published hi Pharaohs & Kings and made his TV series, and the problem of incorrect dates and order were clearly illustrated. Between 1950 and 1970 Immanuel Velikovsky published a series of books outlining the problems in "Ages in Chaos, in Ramesses II & His Time, Oedipus & Ahkenaten, The Peoples of the Sea, etc". Velikovsky was viciously attacked in a disgraceful exhibition of academic barbarism. Peter James et al and David Rohl, were quietly ignored. Nothing positive was done by the entrenched establishment who are willingly, deaf, dumb, and blind, to the situation.

The pre 307 BC Hieroglyphic texts can be read using the Khumric Language as their foundation. The results are consistent, coherent, and much more accurate than the Egyptospeak invented by Champollion. The order of the Egyptian Dynasties as currently presented is chaotic, and there are also many clear duplications. The indisputable fact is that the alleged 21st Dynasty of Egypt that is currently misdated at c 1050 - 950 BC is one and the same with the Family Dynasty of Alexander the Great in the 332 - 307 BC era. On this there can be no argument. The notion that there are no Hieroglyphic texts that identify Joseph, Benjamin, Moses, and Solomon and the Queen of Sheba, is a patent absurdity. These patriarchal figures have been shunted back in time from c 1550 BC to 2600 BC, from c 1350 BC to 22400 BC, and from c 950 BC to 1450 BC, and so on, and as a result they have been obscured.

Much of this disorder could and should have been resolved many years ago and there was a major scientific tool available to assist in this necessary process with the discovery of the Radio Carbon 14 dating techniques. Instead of putting their house in order the denizens of the colleges and museums laboured mightily to discredit the Radio Carbon 14 dating methods, and it still is the common practice to discard and ignore the multitude of Radio CArbon 14 results that highlight the problems, and to claim that these readings "must be" contaminated or otherwise aberrant. The Researchers of this Project made their findings 20 years ago, beginning in 1984 when correct information cascaded out from readings of Hieroglyphic texts using Khumric, and only Khumric, as the base language. The savage treatment that was accorded to Velikovsky totally deterred them from making any of their work public. It is a sad fact that censorship does exist and persists as it has for centuries. Nonetheless there are clear Texts on Joseph, on Moses, and on Solomon & Sheba, and others. The rush to publish of the 19th Century has left a legacy of muddles and stagnation and it is time to allow a Defence to be heard against the unchallenged Allegation and Prosecution.

---

Joseph, Moses, Solomon & Sheba

The assertion that there are no ancient Egyptian Hieroglyphic texts that make mention of the Hebrew Patriarchs Joseph, Moses, and Solomon and the Queen of Sheba is incorrect. There are unmistakable Hieroglyphic texts. The Nation of Khumry, who are misnamed as the "Welsh", are reliably traced back in time and distance as the "lost" Ten Tribes of Israel. Their deportation from Israel to Armenia around 720 - 700 BC was followed by their march west through Asia Minor to the Dardanelles. Half the Nation went to found Etruria around 650 BC, and the remainder sailed for Britain in c 504 BC. This means that before they arrived in Canaan to found Israel, they were in Egypt. A strange Khumric Triad notation of around 100 years ago indicates the Egyptian connection and specifically refers to the Hieroglyphic writings. The clear inference is that Khumric is the basic language of the Hieroglyphics. Professor Sir John Morris Jones wrote a Thesis in 1898 that demonstrated the identically of the complex Khumric Syntax and that of Ancient Egypt. Plus the fact that the same seven vowels - A E I O U W Y - were used in Ancient Egypt and the Khumry. Other 19th Century scholars including Bunsen were alert to this ancient Language connection. As there are well known huge chronological mismatches scattered all through the Histories of the ancient Nations of the Near East and the Mediterranean, and considerable confusions in the Ancient History of Egypt, it appears logical that there must be something wrong with the Historical Data. As there are thousands of Egyptian Hieroglyphic texts, there should be no problem with the order and chronology of the History, if these texts are read correctly. The fact that there is confusion indicates that the Texts have not been properly read and automatically this means that the present accepted method of reading the Ancient Egyptian History is used as the yardstick to establish the dates and full chronology of all the other Ancient Nations. Wars, royal intermarriages, treaties of alliance and trade agreements, and so on, are all "dated" by reference directly or indirectly to Ancient Egypt. As the present accepted order and grotesquely distorted. Historical gaps, and dark ages, of five, six , and even eight hundred centuries litter the scenario, and every investigator who has dared to step into this arena has pointed the finger directly at Egyptian chronology. Basic analysis shows that the concept that the Hieroglyphs were written in Coptic is not correct, and the "system" of decipherment mainly involves guesswork and speculation using a strange cocktail mix of Coptic, Hamatic, and Hebrew. The indications are that J F Champollion claimed much more than he actually achieved. If the Texts are not deciphered and read correctly then the information in the Texts is not correctly understood. It is a simple task to test the possibility that the ancient Language of the Khumry in Britain that can be traced back through Etruria, the Aegean, Asia Minor, and Assyria, to old Israel, is the basic language of the Ancient Egyptian Hieroglyphics. As a number of scholars have attempted to raise the issue of the chaos existing in the chronology of Ancient Egyptian History, and in 1990 Peter James and four other academic archaeologists published "Centuries of Darkness" and pointed out the historical mismatches, and later David Rohl published hi Pharaohs & Kings and made his TV series, and the problem of incorrect dates and order were clearly illustrated. Between 1950 and 1970 Immanuel Velikovsky published a series of books outlining the problems in "Ages in Chaos, in Ramesses II & His Time, Oedipus & Ahkenaten, The Peoples of the Sea, etc". Velikovsky was viciously attacked in a disgraceful exhibition of academic barbarism. Peter James et al and David Rohl, were quietly ignored. Nothing positive was done by the entrenched establishment who are willingly, deaf, dumb, and blind, to the situation.

The pre 307 BC Hieroglyphic texts can be read using the Khumric Language as their foundation. The results are consistent, coherent, and much more accurate than the Egyptospeak invented by Champollion. The order of the Egyptian Dynasties as currently presented is chaotic, and there are also many clear duplications. The indisputable fact is that the alleged 21st Dynasty of Egypt that is currently misdated at c 1050 - 950 BC is one and the same with the Family Dynasty of Alexander the Great in the 332 - 307 BC era. On this there can be no argument. The notion that there are no Hieroglyphic texts that identify Joseph, Benjamin, Moses, and Solomon and the Queen of Sheba, is a patent absurdity. These patriarchal figures have been shunted back in time from c 1550 BC to 2600 BC, from c 1350 BC to 22400 BC, and from c 950 BC to 1450 BC, and so on, and as a result they have been obscured.

Much of this disorder could and should have been resolved many years ago and there was a major scientific tool available to assist in this necessary process with the discovery of the Radio Carbon 14 dating techniques. Instead of putting their house in order the denizens of the colleges and museums laboured mightily to discredit the Radio Carbon 14 dating methods, and it still is the common practice to discard and ignore the multitude of Radio CArbon 14 results that highlight the problems, and to claim that these readings "must be" contaminated or otherwise aberrant. The Researchers of this Project made their findings 20 years ago, beginning in 1984 when correct information cascaded out from readings of Hieroglyphic texts using Khumric, and only Khumric, as the base language. The savage treatment that was accorded to Velikovsky totally deterred them from making any of their work public. It is a sad fact that censorship does exist and persists as it has for centuries. Nonetheless there are clear Texts on Joseph, on Moses, and on Solomon & Sheba, and others. The rush to publish of the 19th Century has left a legacy of muddles and stagnation and it is time to allow a Defence to be heard against the unchallenged Allegation and Prosecution.

---

My inspirations which was my effort to write this book, was basically my understanding of different sources of knowledge. in which I was able to have the intelligence, to speak on certain subjects that I always liked in my experiences or in studies while attending school. Poetry was to me just a way to make matters more clearer and observed. I think it makes a lot more sense, when used in a certain form of expressions.

I was hoping that the settings in which I organized it in, would bring the reader a journey in the mind. which means that a reader would have a view and idea as to what a position might have during those times.

I have written and titled this book in which I called "Ancient Scriptures" It is accordingly proposed for the reader, as if I narrated at certain times. the reason for this is that I want the readier to have a clear understanding, because it contains poetry and literatures as well. I really wanted the readers' interests guided into an apprehension of a dramatical performance. Although it contains the beliefs of religion and mythology. I have titled my absolute complete text by the name "Thee Acts of Satan". This book has seven chapters. Each chapter is involved with the greatest Kings through ancient history. Each chapter basically explains the events in those times in which the kingdom reigned.

All my writings are partially words that were used during medieval times. In other words this is considered as in stage opera or as in the time of ancients. I have also a proceeding continuation for what I want to put forth in my works of other editions for the "Ancient Scriptures". I have a text that just simply tells in a prologue form of what the upcoming edition of "Ancient Scriptures" would be. I titled this prologue "The Fallen Kingdom of Christ". This is basically describing the times of Christ kingdom, while in crusifixions. I present this to the reader in a form seen to appear as if dramatical. This is to give the reader an idea of what those times consisted of.

I have titled another text as named "Visions of Christ-Part I". Basically it is speaking of complaints in which someone would seek the need for answers in prayers, and this basically tells in general the specific order of times. Although it is seen through ancient years in which it could be related to, even in the present time now being. It just continues on as if through times in life was filled with questionaries. This gives the reader in mind to say why did certain things ever take place.

Anyone with an open mind that wants to learn how physical things can come from a state of nothingness must read this book. In nothingness, similar to man's imagination, absolute truth must first exist or that nothingness will remain. There are Seven Absolute Essential Truths that must first exist in that state of nothingness before any beginning of a physical reality can take place.

Those Seven are exclusively and clearly explained for the reader to gain better understanding how God created all things with the ability and power to do so and give life.

This is a distinctive book containing scientific truths with Biblical descriptions, verse by verse, of how God created the heavens, earth and Mankind - from Adam and Eve being created triune spiritual beings (image of their Creator) living in a physical body, to the New Heaven and Earth.

Many unique insights revealed exclusively in this book will strengthen the faith of the reader or lead to a belief in Christ. It's well laid out in an easy-to-read-and-understand format of how the eternal living Creator, who engulfs absolute truth, created and made all things 'By His Word'.

It explains the importance of absolute truth when creating or making any thing of substance and purpose in a physical reality; either by God or Man it must begin with truth or it cannot be made; like the 24 hour first day in Genesis there is a detailed description of it, also how and when the 7-day-week originated, along with the significance of that time element.

Some exclusive insights to God's mysteries are: Adam's age the day he was created; how long Adam and Eve lived before falling to sin and the day it occurred; a unique relationship of Eve and Noah's Ark with Christ's crucifixion in Passover (Easter) week.

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Heracles and Oedipus in Greek Classical Drama by Professor Joseph R. Laurin offers a scholarly, clear and easy approach to the understanding of two of the greatest heroes of Ancient Greece and of the glory and tragedy of their stories in Greek Classical theater.

Readers and researchers can benefit greatly from the text and innumerable references presented in this book. Students as well as non-academic readers interested in Classical literature or the Theater can find it fascinating and beneficial.

After projecting a general view of the notion of the Ancient Greek Hero, the author develops the mythical stories of Heracles and Oedipus, and the dramas produced from these myths by the three Classical writers of Tragedy: Aeschylus, Euripides and Sophocles.

Four plays convey the dramatic story of Heracles: Alcestis, Heracles Mad, The Women of Trachis and The Children of Heracles. The story of Oedipus spans over several generations covered in six plays: Oedipus the King, Oedipus at Colonus, The Seven Against Thebes, The Phoenician Women, The Suppliant Women and Antigone.

The author's vast knowledge of the sources of information, either in ancient texts or in modern literature, has made his book not only a brief retelling of the stories but a discussion of the major issues of interpretation and a thought-provoking commentary about human life, the universe and the gods.

Heracles and Oedipus in Greek Classical Drama is a valuable contribution to the understanding of two of the greatest heroes of Ancient Greece and of the masterful adaptation of their stories to the theater stage. This book, available either in paperback or hard cover, should inspire further research of the sources and discussion of issues confronting students as well as readers interested in Classical literature or the Theater.

Heracles and Oedipus in Greek Classical Drama by Professor Joseph R. Laurin offers a scholarly, clear and easy approach to the understanding of two of the greatest heroes of Ancient Greece and of the glory and tragedy of their stories in Greek Classical theater.

Readers and researchers can benefit greatly from the text and innumerable references presented in this book. Students as well as non-academic readers interested in Classical literature or the Theater can find it fascinating and beneficial.

After projecting a general view of the notion of the Ancient Greek Hero, the author develops the mythical stories of Heracles and Oedipus, and the dramas produced from these myths by the three Classical writers of Tragedy: Aeschylus, Euripides and Sophocles.

Four plays convey the dramatic story of Heracles: Alcestis, Heracles Mad, The Women of Trachis and The Children of Heracles. The story of Oedipus spans over several generations covered in six plays: Oedipus the King, Oedipus at Colonus, The Seven Against Thebes, The Phoenician Women, The Suppliant Women and Antigone.

The author's vast knowledge of the sources of information, either in ancient texts or in modern literature, has made his book not only a brief retelling of the stories but a discussion of the major issues of interpretation and a thought-provoking commentary about human life, the universe and the gods.

Heracles and Oedipus in Greek Classical Drama is a valuable contribution to the understanding of two of the greatest heroes of Ancient Greece and of the masterful adaptation of their stories to the theater stage. This book, available either in paperback or hard cover, should inspire further research of the sources and discussion of issues confronting students as well as readers interested in Classical literature or the Theater.

Every day is a special day, because every day we have a special person or event to celebrate. With the fragrance of the plants that heal us, we can use the beauty of these natural healers as a visual healing element. Together with the ancient writing of Egypt, this is a unique and loving way to remember our connection to a revered nation as well as our connection to our loved ones.

The "Wanderings and Homecoming" of Odysseus is a true adventure legend which took place some 3200 years ago, mostly in the North Atlantic.

About 700 years after the event, the legend was used by the Greek Homer to create a whole new heroic and patriarchal past for the Greek people. He removed many important details pertaining to the Goddess society and religion and added many unrelated stories and fabrications to make it sound as if the Odyssey took place in the Mediterranean. He did everything possible to destroy the memory of the pre-patriarchal society.

In Odysseus and the Sea Peoples readers will learn where Odyseys did go, complete with archaeological, legendary and linguistic evidence. This suggests that Odysseus was no Greek at all. Instead, he was the Hebridian leader of the war fleet assembled by the peoples of the "Islands of the Great Green Sea" as the Egyptians called the Atlantic. The disastrous results of their attack on Egypt are documented.

The second part of the book describes the society, religion, blood characteristics and migrations of the two main Sea Peoples and how they mixed to become us.

From the time Cethen Lamh Fadha and his sharp witted wife Elena see a Roman ship slam into their village dock, to the clash of arms that takes place almost two years later as a result, their life is an uprooted trail of turmoil. Led by a Brigante king who, at times, seems to be an affliction that rivals that of the Romans, the couple find their paths reluctantly crossing that of Gaius Sabinuis Trebonius, senior tribune of the Ninth Hispana Legion.

Gaius himself is no more pleased than Cethen and his wife by their chance encounters. With a sometimes erratic Governor overseeing command of the Ninth, and his own wife doing more harm to his career than good, he finds himself snared in his own tangled web of troubles and intrigue, Gaius's fate is, nonetheless, firmly tied to that of the Brigante chieftain and his wife, often at great cost to both body and soul.

With historic characters in the background such as the cynical Vellocatus, former shield bearer to Venutius and the man who married the aging king's divorced wife; and Cartimandua, a pragmatic but very human queen, the story moves quickly. Along the way the reader meets others far less known; Criff, the bard, who subtly keeps his feet in either camp, in more ways than one. Morallta, a Carvetti warrior whose lust for battle and rude distain is matched only by her odd pleasures; Cian, a brother whose brash temperament injures himself more than others; and Titus, the Ninth's veteran primus pilus, who sometimes should know better, just to mention a few.

The tale is told with a down to earth realism, often laced with humour that is best describes as dark. The book's editor Marg Gilks, sums it up with this endorsement:

Never before has an author brought Roman Britain to life for me as Graham Clews did with this tale of three characters whose lives are torn apart and brought together by the circumstances of their time.

These are not mere characters in a story but living, breathing, feeling people with their own flaws and strengths, people with who the reader can laugh or despair, people that the reader understands and cares about. That they happen to be living in societies that are foreign and long gone to dust is incidental, especially when the author has clearly done his research to make the foreign world of A. D. 70, if not familiar, then alive and real for the reader.

As a long time reader, writer, and editor of historical fiction, I urge anyone yearning for not only quality historical fiction but also a plain good story to pick up Eboracum: the Village. Graham Clews does not disappoint.

Visit: www.graham-clews.com.

"To the Prefecture of Halepi. - The right of the Armenians to live and work on Turkish soil is abolished. Taking all responsibility in this matter, the government has decreed that not even babies in their cradles should be spared."

"To the Prefecture of Halepi. 15 January 1916 - It has come to our attention that children of the people in question (Armenians) are being accepted into certain orphanages. Since the governemnt regards the existence of these individuals as pernicious, it will be regarded as an act hostile to the state to rear or prolong the lives of these children or to show them any mercy...".

Talaat Pasha, Minister of Interior

Take in the full history of the Bible with a detailed account that focuses on its major empires, events and personalities. Written by a religious scholar who has taught at high school, college and adult levels, this historical exploration is organized around the major civilizations and epochs of the ancient world, beginning with Sumer and ending with Rome. Author Bruce W. Gore provides a thorough overview of major empires, such as the Assyrians or Babylonians, as well as more modest civilizations, such as the Phoenicians or Hittites. Learn how Cyrus the Persian, Alexander the Great, Julius Caesar, and others changed the course of Christianity. In the course of historical exploration, this account also examines questions that may have puzzled readers of the Bible in the past: • Who was Sennacherib? • To which Assyrian king did Jonah preach, and did this make any difference in history? • What did the “eight night visions” of Zechariah mean in light of the rule of Darius the Persian? Study the Bible with an eye on its ancient setting and develop an understanding of its key people, places and civilizations with Historical and Chronological Context of the Bible.

Año 785 de la fundación de Roma, 32 d.C. El general romano Marcus Caius Aurelius vive un retiro tranquilo en la villa del Trans Tiberis que el Estado le otorgara en premio a sus méritos. En Judea, prefectura de la provincia oriental de Syriæ, suceden cosas extrañas, y Tiberius Iulius Cæsar, en el ocaso de su reinado, recluido en la isla de Capri, alienta la esperanza de dar al mundo paz y orden. En la soledad del poder, rodeado de aduladores y traidores, confía en el camarada de armas con quien compartiera el estandarte del jabalí en campañas del norte de Italia, y le asigna la misión más trascendente de su reinado. Pero sólo le cuenta una parte de la verdad. Caius llega a una Jerusalén convulsionada en vísperas de la pascua judía, abarrotada de peregrinos, amenazas de revuelta, y funcionarios sacudidos por el asesinato del Prætor Ælius Seianus ordenado por el Cæsar. Entre un viejo amigo judío y el hombre de Tiberius, a quien debe reconocer a partir de ciertos datos, poco a poco descubre que está metido en una realidad inquietante y pantanosa. Y que el “viejo jabalí” sabía mucho más acerca de ella. Rebeldes zelotas, ascéticos esenios, judíos del poder, Sumos Sacerdotes y magistrados, el Cæsar, magos, soldados romanos, el Præfectus de Judea Pontius Pilatus y su entorno, el Yeshua bar Yehosef y su movimiento mesiánico, y el enigmático Yehosef de Arimatea desfilan por la trama a lo largo de cinco intensos días, jugando cada uno su juego, para confluir en un final sorprendente, inesperado y profundamente perturbador. La novela, fraccionada en dos volúmenes por su extensión, atrapa al lector desde un principio por la prolija descripción de la geografía, hechos históricos y costumbres, pero mucho más porque desde el principio intuye que es conducido hacia el fondo del misterio más poderoso de la historia.

Año 785 de la fundación de Roma, 32 d.C. El general romano Marcus Caius Aurelius vive un retiro tranquilo en la villa del Trans Tiberis que el Estado le otorgara en premio a sus méritos. En Judea, prefectura de la provincia oriental de Syriæ, suceden cosas extrañas, y Tiberius Iulius Cæsar, en el ocaso de su reinado, recluido en la isla de Capri, alienta la esperanza de dar al mundo paz y orden. En la soledad del poder, rodeado de aduladores y traidores, confía en el camarada de armas con quien compartiera el estandarte del jabalí en campañas del norte de Italia, y le asigna la misión más trascendente de su reinado. Pero sólo le cuenta una parte de la verdad. Caius llega a una Jerusalén convulsionada en vísperas de la pascua judía, abarrotada de peregrinos, amenazas de revuelta, y funcionarios sacudidos por el asesinato del Prætor Ælius Seianus ordenado por el Cæsar. Entre un viejo amigo judío y el hombre de Tiberius, a quien debe reconocer a partir de ciertos datos, poco a poco descubre que está metido en una realidad inquietante y pantanosa. Y que el “viejo jabalí” sabía mucho más acerca de ella. Rebeldes zelotas, ascéticos esenios, judíos del poder, Sumos Sacerdotes y magistrados, el Cæsar, magos, soldados romanos, el Præfectus de Judea Pontius Pilatus y su entorno, el Yeshua bar Yehosef y su movimiento mesiánico, y el enigmático Yehosef de Arimatea desfilan por la trama a lo largo de cinco intensos días, jugando cada uno su juego, para confluir en un final sorprendente, inesperado y profundamente perturbador. La novela, fraccionada en dos volúmenes por su extensión, atrapa al lector desde un principio por la prolija descripción de la geografía, hechos históricos y costumbres, pero mucho más porque desde el principio intuye que es conducido hacia el fondo del misterio más poderoso de la historia.

"To the Prefecture of Halepi. - The right of the Armenians to live and work on Turkish soil is abolished. Taking all responsibility in this matter, the government has decreed that not even babies in their cradles should be spared."

"To the Prefecture of Halepi. 15 January 1916 - It has come to our attention that children of the people in question (Armenians) are being accepted into certain orphanages. Since the governemnt regards the existence of these individuals as pernicious, it will be regarded as an act hostile to the state to rear or prolong the lives of these children or to show them any mercy...".

Talaat Pasha, Minister of Interior